I AM, I WAS

JAMIE PACENA II

ACRYLIC ON CANVAS (DIPTYCH)

24” X 24” | 2022

AVAILABLEMORE DETAILS

A MEMORY THAT DIDN'T HAPPEN

Niel Atienza

OIL ON PAPER

12” X 16” | 2022

AVAILABLEMORE DETAILS

A TRIBUTE TO A TROPICAL MOONLIGHT

Niel Atienza

OIL ON PAPER

12” X 16” | 2022

SOLDMORE DETAILS

TEXTBOOK 1 - DIY BIOGRAPHY

Ev Yu

WATERCOLOR ON PAPER

11” X 15” | 2022

AVAILABLEMORE DETAILS

TEXTBOOK COVER 2 – HOME ECONOMICS CHEMISTRY

Ev Yu

WATERCOLOR ON PAPER

11” X 15” | 2022

AVAILABLEMORE DETAILS

CORPUS

Argie Bandoy

OIL, ACRYLIC ON CANVAS (TRIPTYCH)

47” X 24” | 2022

AVAILABLEMORE DETAILS

FANGORIA

Argie Bandoy

OIL ON CANVAS

22” X 18” | 2018

AVAILABLEMORE DETAILS

A BOWL OF SELF-SATISFACTION

Katarina Estrada

PEN AND INK

10” X 10” | 2022

AVAILABLEMORE DETAILS

It’s not easy to forget the past even if that’s what we want to do the most. So we hide what we can’t forget, stash it away in a place where these memories can’t escape.

When our past is used against us, our lived experiences serve us so that each pastward yank feels breathlessly restorative. We start to understand a provisional, yet authentic, narrative that lends consciousness serenity.

This group exhibit “I Thought I Saw You Just Now” locates any grounding pang for the forgotten and distantly familiar. Artists Jaime Pacena II, Katarina Estrada, Argie Bandoy, EV Yu, and Niel Atienza unravel contextualized memories in various shapes and forms, colors, and temperatures all wrapped in coziness which temporarily masks the futility of safe return. With layered signifiers and delicate references, their works justify their own existence in a rapidly changing visual lexicon.

As we look at the works, we see that sentimentality feeds the tempting delusion that things could be perfect. Whether they’re depictions of old textbooks, secret nooks, abstract surfaces, or melancholy flowers, there is an intimate throb that inspires an allusory spark as they reflect a general collapse in timelines that gestures towards a reinscription of things forgotten and lost. At times, it becomes transgressive to borrow aesthetic elements of the past that they would rather forget —-they’re fragile, thin, and bound to trigger profound emotions. And yet, these passages and personal portrayals of memory helped the artists develop pictures and scenes while drawing from a prescient understanding of their recollections.

As we engage with the artworks, we are confronted with the realization that time runs only in one direction, and we can never actually return to the past. And by accepting the irrevocability of what has gone, a reflective attitude allows us to appreciate the memories for what they are —distorted recreations of past experiences through the lens of the present.

Katarina Estrada is intrigued by the power of line and the multiplicity of it. Her work, rendered in pen and ink, proves that the agile-yet-disciplined nature of using the medium —producing inerasable lines and washes ranging from the bold to the nuanced to the expressive– hasn’t faded away.

Read more...

Katarina Estrada is intrigued by the power of line and the multiplicity of it. Her work, rendered in pen and ink, proves that the agile-yet-disciplined nature of using the medium —producing inerasable lines and washes ranging from the bold to the nuanced to the expressive– hasn’t faded away.

Read more...

Argie Bandoy is a Filipino contemporary artist and painter whose garish and deadpan abstractions and figurations continue to challenge the norm. Bandoy’s raw and free-spirited attitude owe its roots to the underground music scene and movement.

Read more...

Argie Bandoy is a Filipino contemporary artist and painter whose garish and deadpan abstractions and figurations continue to challenge the norm. Bandoy’s raw and free-spirited attitude owe its roots to the underground music scene and movement.

Read more...

Filipino illustrator, muralist, and visual artist Niel Atienza observes memories and places through his art. With undulating colors and graphic scenes that ripple across his surfaces, there is an emblematic significance in his capability to combine unrestrained visual lyricism with a scrupulous approach.

Read more...

Filipino illustrator, muralist, and visual artist Niel Atienza observes memories and places through his art. With undulating colors and graphic scenes that ripple across his surfaces, there is an emblematic significance in his capability to combine unrestrained visual lyricism with a scrupulous approach.

Read more...

For Pacena, artistic practices like painting and non-traditional platforms function in many ways that extend outside creating objects for the art market. He likens it to life itself. During these times of compulsory isolation, creative routines for Pacena are a matter of survival.

Read more...

For Pacena, artistic practices like painting and non-traditional platforms function in many ways that extend outside creating objects for the art market. He likens it to life itself. During these times of compulsory isolation, creative routines for Pacena are a matter of survival.

Read more...

Intricate, mesmerizing, and exquisitely wild, Filipino contemporary artist Ev Yu’s watercolor paintings observe static and kinetic forms that culminate in an execution of balance. In the compositional harmony of her art, Yu scrutinizes the placement of colors, size of shapes and qualities of surfaces to achieve comic-book-like sequences.

Read more...

Intricate, mesmerizing, and exquisitely wild, Filipino contemporary artist Ev Yu’s watercolor paintings observe static and kinetic forms that culminate in an execution of balance. In the compositional harmony of her art, Yu scrutinizes the placement of colors, size of shapes and qualities of surfaces to achieve comic-book-like sequences.

Read more...